Lalla a essaydi (born 1956) is a moroccan-born photographer known for her staged photographs of arab women she currently works in boston, massachusetts and lives in new york city essaydi's work is represented by howard yezerski gallery in boston and edwynn houk gallery in new york city. Lalla essaydi related content auction houses genres/artists featured houses (4) · artcurial · phillips · sotheby's · swann auction galleries · other houses (8) · barry s slosberg inc bonhams christie's heritage auctions · leslie hindman auctioneers millon & associes phillips skinner contemporary middle eastern. Moroccan-born, new york-based photographer lalla essaydi (b 1956) explores issues surrounding the role of women in arab culture and their representation in the western european artistic tradition her large-scale photographs are based on nineteenth-century orientalist paintings but work to subvert those stereotyped. Browse and purchase exclusive lalla essaydi prints at jackson fine art gallery, located in atlanta, georgia. Artist lalla essaydi's exhibit at the national museum of african art questions the barriers imposed on arab women and challenges depictions of those who live in harems. The subjects of harem are clothed in elaborate caftans and their environments are now covered with these richly adorned fabrics the draperies are dense and.
Lalla essaydi, a new york-based moroccan painter and mixed-media artist recently devoted herself to photography, exploring the image of women in islamic society the result, this very cool series entitled harem in which her subjects are wrapped in robes and henna which echo the decorative arabic tiles. In early september, i sat down to lunch with artist lalla essaydi not far from her midtown west studio in manhattan ms essaydi comes across as a self-assured woman in appearance and manner, she is refined and elegant, but the self- assuredness manifests most poignantly in the thoughtful and strikingly. Lalla essaydi is a contemporary moroccan photographer and painter her work focuses on arabic female identity explored through a 19th-century orientalist style, wherein the artist hand-paints arabic calligraphy in henna on different surfaces, such as fabric, bodies, and walls her photographs address the complex reality. The moroccan artist uses carefully staged portraits of arab women to investigate the complexities of her contemporary sense of identity as a woman, an arab and a muslim.
Lalla essaydi's (b 1956, marrakesh, morocco) art champions women central to the artist's vision is a unique synthesis of personal and historical catalysts as a muslim woman who grew up in morocco, raised her family in saudi arabia, and relocated to france and finally the united states, the artist has profound firsthand. Lalla essaydi is a new york-based, moroccan-born photographer, painter, and installation artist over the past decade, she has risen to international prominence with her timely and beautiful work that deals with the condition of women in islamic society, cross-cultural identity, orientalism, and the history of art like her.
Moroccan-born lalla essaydi always knew she was going to be an artist her father was a painter, and some of her fondest childhood memories include drawing with colors and pencils in his studio in marrakesh it wasn't until a journalist spotted her photographs decades later while she was a graduate. Lalla a essaydi grew up in morocco and now lives in usa where she received her mfa from the school of the museum of fine arts/tufts university in may 2003 uae, and japan and is represented in a number of collections, including the williams college museum of art, the art institute of chicago, the fries museum,.
Lalla essaydi's art is striking in its efforts to combine her personal beliefs on women in the middle east and the stereotypical middle eastern woman this particular series is titled les femmes du maroc and it was published between 2005 and 2006 (houkgallery) it depicts sometimes single, sometimes. “the physical harem is the dangerous frontier where sacred law and pleasure collide my harem is based on the historical reality rather than the artistic images of the west – an idyllic, lustful dream of sexually available women, uninhibited by the moral constraints of 19th century europe” - lalla essaydi, 2010 kashya.